36.5 / A Durational Performance with the Sea (2013 – 2022) is a series of participatory performance works and video artworks created by Sarah Cameron Sunde that engage people on personal, local, and global scales in conversations around deep time and sea-level rise. It began with a poetic gesture – standing in water for 12 hours and 48 minutes while the tide rose and fell on her body – and has grown into a complex, collaborative, evolving series of works spanning nine years and six continents. By executing these works in waters around the world in both a live form and video form, we hope that each individual that encounters the project will consider our contemporary relationship to water, as individuals, in community, and as a civilization.
Each work in the series consists of deep community engagement, a live performance event, a time-lapse video, a long-form cinematic video work , and varied ephemera from a different coastal location.
“I travel to a location threatened by sea-level rise to stand in a tidal area for a full tidal cycle, usually 12-13 hours; water engulfs my body and then recedes again. The tide tracks time on my body viscerally, and functions as a metaphor for the changing environment. The water is my collaborator and the risks are real. I stay present in the sensations, attempt to embody the ocean and find a way to endure the struggle. The public is invited to stand in the water with me for however long they like and to participate in performing a series of physical gestures from the shore, creating a human clock that communicates to me each hour that passes.” (Sunde)
Nine 36.5 works have been created with communities around the world. Starting with 36.5 / North Sea in 2015, each performance was filmed in real time from multiple perspectives and then translated into a multi-channel video installation that can be shared with a much wider audience into the future.
36.5 / Bass Harbor, Maine (2013)
36.5 / Akumal Bay, Mexico (2014)
36.5 / San Francisco Bay, California (2014)
36.5 / North Sea, The Netherlands (2015)
36.5 / Bay of Bengal, Bangladesh (2016-17)
36.5 / Bay of All Saints, Brazil (2019)
36.5 / Bodo Inlet, Kenya (2019)
36.5 / Te Manukanukatanga ō Hoturoa, Aotearoa-New Zealand (2020-22)
36.5 / New York Estuary, USA (2020-22)
In its final form, the entire series of works will consist of a 12-18 channel video (two-three per location) with six layers of audio (one per location) that can be acquired to be shown or commissioned for exhibition anywhere in the world – in full scale or on a smaller scale.
Sarah Cameron Sunde
LOCAL CINEMATOGRAPHERS AND DOCUMENTATION TEAM
Erick Stoll, Joe Bender & Third Party Productions (New York Estuary)
Mairi Gunn & Fergus Milner (Te Manukanukatanga ō Hoturoa)
Jordan Muindi & others (Bodo Inlet)
Guilherme Burgos (Bay of All Saints)
Saiful Wadud Helal (Bay of Bengal)
Jonas de Witte (North Sea)
Irina Patkanian & Gus Ford (San Francisco Bay)
Scott Brown (Akumal Bay)
Maridee Slater (Bass Harbor)
OTHER CORE COLLABORATORS
Joshua Dumas, Frank Bloem, Aziz Bekkaoui, Juliana Örtegon, John Del Gaudio, Marianna de Nadal, Sasha Petrenko, Carrie Dimaculagan, Reetu Sattar, Nasir Ahammed, Sumi Fahmida, Babette Pendleton, Clara Domingas, Cristiano Gobbi, Pretxs de Rua, Kimingichi Wabende, Wakili Mwatondo, UKT Group, Ariane Craig-Smith, Nettie V. Norman, Amiria Puia-Taylor, Kingi Peterson, Audrey Dimola, Christopher Bisram, Bella Gallo, Karishma Bhagani, and Tecumseh Ceaser